By Craig DeLancey
Source: Read full article at Quillette
At a time when activist displeasure can sweep through social media and destabilize reputations and nascent careers overnight, publishers are taking unprecedented steps in an effort to mitigate the risks. Among these is the use of sensitivity readers—individuals tasked with reading a work of fiction prior to publication in an effort to determine whether or not offense is likely to be caused by an author’s portrayal of characters from demographics considered marginalised or historically oppressed. Many readers, I suspect, will have become aware of this emerging trend following a series of nasty controversies in the world of Young Adult publishing.
In 2017, a fantasy novel by Kiera Drake entitled The Continent was attacked for its allegedly racist portrayal of Native Americans. The novel was hastily rewritten following guidance from sensitivity readers. In January of this year, Amelie Zhao’s debut novel Blood Heir, set in a fantastical version of medieval Russia, was denounced online because its portrayal of chattel slavery was deemed insufficiently sensitive to America’s own racist history. In response, Zhao thanked her persecutors…