By Jerry Barnett
Source: Read full article at Quillette
A review of Last Days at Hot Slit—The Radical Feminism of Andrea Dworkin edited by Johanna Fateman and Amy Scholder. (Semiotext(e), March 2019) 408 pages.
In my 2016 book Porn Panic!, I traced today’s anti-free speech, identity-preoccupied Left back to its roots in the pro-censorship, anti-sex feminism of the 1970s/80s and, in particular, to the writing of Dworkin and her sister-in-arms Catharine Mackinnon. Although I dealt in passing with Dworkin’s writing, as well as works from the contemporaneous liberal feminists who opposed her, I opted to focus more on her successors, especially Gail Dines, a Women’s Studies professor who has established herself as one of today’s preeminent campaigners for the censorship of sexual expression. At a time when feminism seems to be moving in an increasingly censorious direction, a new anthology of Dworkin’s writing, Last Days at Hot Slit, published earlier this year, offers a useful insight into the writing and thinking of one of the movement’s most influential, radical, and controversial writers.