By George Schifini
Source: Read full article at Quillette
Dystopian science fiction films often have the veneer of plausibility. For example, the premise of an overpopulated world (Soylent Green), or a deep freeze earth (The Day After Tomorrow), or an infertility epidemic (Children of Men), generate voyeuristic horror but rarely possess the credibility to elicit anxiety of a real world, highly probable outcome. The 1997 film Gattaca, written and directed by Andrew Niccol, is an exception. Technology has now caught up with Niccol’s dystopian vision of a society where every member is categorized and determined by their genetic origin. Last year a Chinese bioengineer announced the germline editing and live birth of twin girls using CRISPR technology.
In the world of Gattaca, preimplantation screening and genetic engineering have generated a culture of discrimination based on genomic scores. The story’s hero, Vincent (Ethan Hawke), has the bad luck of being conceived the old-fashioned way, his genome left to the crapshoot of meiosis. His genome is read to his parents at birth: neurological condition: 60 percent; probability of manic depression: 42 percent; probability of heart disease: 99 percent: life expectancy: 30.2 years. In…